

Paramount Pictures and Indian Paintbrush will co-produce Jason Reitman’s next, Labor Day, co-starring Kate Winslet and Josh Brolin. Writer-director Reitman was nominated for an Oscar and won a Golden Globe for Best Adapted Screenplay for 2010’s Up in the Air.
Reitman adapted the screenplay from Joyce Maynard’s eponymous novel, which tells the story of an escaped convict (Brolin) who finds shelter with a single mother (Winslet) and her young son over a Labor Day Weekend.
Kate Winslet as Dr. Erin Mears and Larry Clark as Dave in a scene from the worldwide pandemic thriller “Contagion.”
Warner Bros.
If there’s ever a movie that will give you a queasy, sinking feeling, it’s “Contagion,” which arrives just in time for the gear-up to the flu season.
This is a movie that gives actresses a chance to take off their makeup, look really terrible and die with a dramatic flourish as they play the victims of a seemingly unstoppable (at least at first) worldwide pandemic.
Fittingly, the very first thing coming from the screen in “Contagion” is a cough. As more and more people fall victim to the strange, uncontrollable ailment whose origins, we eventually learn, were spread from a bat to a pig, one is certain to have his ears pealed in the theater, hoping not to hear a hacking cough. That fear was used most effectively in the last pandemic movie, 1995’s “Outbreak,” in which the deadly virus was spread by someone coughing in a movie theater. Obviously “Contagion” wasn’t the first viral terror movie. Before “Outbreak” there were “The Satan Bug” and “The Andromeda Strain,” to name two of the more famous.
It’s creepy and scary, but it suffers as many of these wide-scale films do by having too many characters spread across too many continents to make it truly gripping. When the numbers of its victims spread into the multimillions, it becomes more of an abstraction. Of course that’s why “Contagion” concentrates on a cross-section sample of those touched by the virus. But even then there are too many stories unfolding at once.
Director Steven Soderbergh has had success with multi-character, multi-star stories before, most notably in the “Ocean’s 11,” “12” and “13” series. But those were told with the main focus on a few of the characters. That’s attempted in “Contagion” too, but not as well. Matt Damon, who starred in all three “Ocean’s” films, has the more or less central role in “Contagion” as Mitch Emhoff, whose wife, Beth (Gwyneth Paltrow), is the first victim. He is a survivor and desperately tries to keep his daughter (Anna Jacoby-Heron) safe from the disease. But though Mitch’s story is compelling and has deeper layers, it’s still one of several.
Screenwriter Scott Z. Burns, who wrote Soderbergh’s underappreciated “The Informant!” which also starred Damon, as well as Damon’s “The Bourne Ultimatum,” leaps across the planet to tell the story. Hong Kong, Macao, Minneapolis, Geneva, Tokyo, Chicago and Atlanta, where Dr. Ellis Cheever (Laurence Fishburne) at the Centers for Disease Control is trying to unravel the mystery and gets into trouble for allowing his own emotions to color his judgment.
Other principal characters include Kate Winslet as a gutsy, dedicated CDC epidemic analyst who puts herself at risk to find an answer. Jude Law is the character you grow to love to hate, an Internet blogger who spreads panic worldwide and gives hope to the hopeless about an untested homeopathic “cure” called Forsythia as he spreads distrust of scientists and government efforts to control the disease. Jennifer Ehle is Ally, a pragmatic researcher hoping to break the virus’s genetic code in a laboratory with the help of some monkeys. Marion Cotillard is a doctor from the World Health Organization who travels to an infected village in the outreaches of Hong Kong and can’t get out. Sometimes there’s such a long wait between appearances for some of their characters that by the time they turn up again, they seem an intrusion. Winslet and Law create the strongest characters, but from opposite ends of the spectrum.
“Contagion” is an epic story without an epic scale. One gauges the effects of the worldwide panic in a few scenes of mob violence: the looting of a supermarket, a raid on a pharmacy, a riot at a food distribution area. And the resolution seems too quick, even though it’s supposed to take place over more than four months.
Soderbergh toys with the audience in showing how the virus is spread, focusing his camera on people coughing into their hands, then touching things –– elevator buttons, doorknobs, cell phones, cocktail glasses, each other. It’s designed to make one a little nervous or at least self-conscious about ever touching anything or anyone again. And you can shake on that.
***Contagion
Starring: Matt Damon, Kate Winslet, Jude Law, Laurence Fishburne, Marion Cotillard, Gwyneth Paltrow, Jennifer Ehle, Elliott Gould, Anna Jacoby-Heron.
Directed by Steven Soderbergh from an original screenplay by Scott Z. Burns (The Bourne Ultimatum,The Informant!), ‘Contagion’ follows the rapid progress of a lethal airborne virus that kills within days. As the fast-moving epidemic grows, the worldwide medical community races to find a cure and control the panic that spreads faster than the virus itself. At the same time, ordinary people struggle to survive in a society coming apart. Alongside Kate Winslet the film stars the likes of Jude Law, Marion Cotillard, Jennifer Ehle, Matt Damon, Gwyneth Paltrow, Lawrence Fishbourne, Bryan Cranston, Demitri Martin, Sanaa Lathan and Elliott Gould. ‘Contagion’ opens September 9th in the US, and October 21st in the UK.
The normally staid scientists at the Centers for Disease Control and Prevention sounded positively star-struck this week as they awaited release of a new movie in which it’s up to them to save the world from a killer outbreak.
Tickets to a special Thursday screening of “Contagion,” the just-released Steven Soderbergh film about a deadly pandemic virus, had to be doled out via lottery to eager CDC staffers, who already had acted as extras and hobnobbed with actors during filming.
Even Dr. Ali Khan, a rear admiral and assistant surgeon general who leads the CDC’s Office of Public Health Preparedness and Response, admitted to a bit of Hollywood awe.
“I had fun chatting with Kate Winslet. I drew an epi curve for her,” he said, referring to the graphic representation of infection cases used to track an epidemic.
Winslet plays a CDC researcher in the movie. The film's team caused a buzz at the agency's Atlanta offices starting about two years ago, when the crew sought technical advice and filming locations to add authenticity to the movie, said Dave Daigle, an associate director for communications with the CDC's preparedness office.
During the course of the filming, staffers decided that Winslet’s real-life counterpart would likely be Dr. Anne Schuchat, the director of the CDC’s National Center for Immunization and Respiratory Diseases who served frequently as the agency’s spokeswoman during the 2009 swine flu pandemic.
Fictional-but-plausible deadly virus
But on the eve of the film’s nationwide release, CDC curiosity had reached a fever pitch, particularly about the source of the fictional-but-plausible deadly virus that quickly circles the globe.
Oscar winning actress Kate Winslet looks stunning as she channeled Hollywood dame Elizabeth Taylor. Winslet says of the late Taylor,
“She was very strong in her head and in her heart, not just in the exterior and I suppose I am. To me she hid vulnerability pretty successfully, and I do that too. We all have vulnerable sides. I think for a long time I pretended I didn’t have one, and I definitely do. The last couple of years I really had to pay attention to that. The great thing about acting is that you can fling it all into the mix of the part.”
Kate Winslet’s vulnerability appears to be whether or not she should decline nude roles.
In 2009 Winslet stated she didn’t want to become ‘that actress who always gets her kit off’.”
Flash forward and Kate tells V magazine,
“It definitely makes me the hypocrite of the decade. I’m just going to stop saying it.”
Winslet went on to mention that disrobing on screen was extremely awkward and didn’t offer any personal satisfaction.
“I hate it! Listen, make no mistake, I just get on it. I just go in and say, Oh f–k, let’s do it, and boom! If you complain about it or procrastinate it’s not going to go away. It’s a profoundly bizarre thing to do.”
She continued;
“As actors you talk about it all the time. You can literally be tangled in sheets, and you turn to the other actor and say, what the f–k are we doing?’ Dear Mum, at work today I had so-and-so’s left nut-sack (testicles) pressed against my cheek. It’s sort of unethical if you think about it in those terms.”
While Kate decides whether or not she can keep her clothes on, enjoy her gorgeous Elizabeth Taylor inspired shoot below.
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